Chinese ceramics Porcelain originated in China, and it took a long time to reach the modern material. Until recent times, almost all East Asian porcelain was of the hard-paste type. There is no precise date to separate the production of proto-porcelain from that of porcelain. Although proto-porcelain wares exist dating from the Shang dynasty — BC , by the time of the Eastern Han dynasty period BC— AD , glazed ceramic wares had developed into porcelain, which Chinese defined as high-fired ware. The wares were already exported to the Islamic world , where they were highly prized. From the Peabody Essex Museum.
AW Antiques & Collectibles
Burleigh Ware has long been associated with the Staffordshire town of Burslem. Burliegh Ware, today, is probably best known for its Art Deco period ceramics, with its brightly coloured pieces so popular in the s. One of the most recognisable pieces to be found are the yellow jugs, with animal and human shaped handles. These range from the well known Parrot, to the rare Guardsman. These jugs are very collectable today.
A Government minister has quit after reportedly sending “depraved” messages to two female constituents. Andrew Griffiths – the MP for Burton and Uttoxeter in East Staffordshire – is said to have.
Dating back to at least the 18th century when the oatcake was the staple diet of the potteries folk. It is thought that during the long hard Winters, farmers grew Oats rather than wheat and and their wives would bake them on a bakestone for family and farm workers. At that time they wold possibly be eaten with lard, fat or cheese. During the 19th Century a cottage industry sprang up, as many of the men and women were working at the potbanks making pottery, the older women would take over the baking of the Oatcakes, often making more than was needed and taking them in baskets to sell in the markets and streets.
Into the 20th Century, and the more successful bakers would have built brickrooms in their yards to bake the Oatcakes from. Their front rooms becoming the shop front, selling the Oatcakes through the sash windows. The Staffordshire Oatcake went through a boom period, people lived locally, they shopped locally, they used the local public houses and the local Oatcake shop.
Pottery and Porcelain Marks
To withstand the stresses of firing, a large pottery sculpture must be hollow and of an even thickness. There are two main ways of achieving this. Firing also protects the clay body against the effects of water. This forms a nonporous opaque body known as stoneware. In this section, earthenware is used to denote all pottery substances that are not vitrified and are therefore slightly porous and coarser than vitrified materials.
The line of demarcation between the two classes of vitrified materials—stoneware and porcelain—is extremely vague.
Pottery, one of the oldest and most widespread of the decorative arts, consisting of objects made of clay and hardened with objects made are commonly useful ones, such as vessels for holding liquids or plates or bowls from which food can be served.
Your Pottery Questions – and Answers On this page are the third series of questions that our ceramics expert Clive Hillier is dealing with from his pottery messageboard. Keep checking to find out if he has answered YOUR question! We have so many hundreds of questions to our pottery expert Clive Hillier that he can only answer them one way – by talking his way through the answers!
The messages in bold below have been answered. Click on the audio link below to and hear Clive talk through the answers to the questions on this page The base colour is dark blue. There is a pitted gold based pattern approx. On the gold base are pale green leaves and cream flowers. On the base of the vase,next to the Royal Doulton sign,are the numbers Also on the base is what appears to be the letters R S and the numbers If you can tell me anything about this vase,I would be most appreciative.
Antique Shops in Staffordshire & Shropshire
Both sides show heavy patterns with no fade or rubbing. The jug is a good size,not tall but capacious. A “good looker” on display.
Pattern History. Asiatic Pheasants was the most popular dinnerware pattern of the Victorian era; its principal production and popularity virtually coinciding with the reign of Queen Victoria () and such is its enduring charm that it is still produced in Staffordshire today.
Note that the figure has been slip cast–you can see that by looking at the picture taken from beneath. I have written to the seller gallaiai but have had no response! Twentieth Century Figure Currently on eBay item This figure is Kent, probably made around Note the typical Kent base colors that green coupled with yellow. Maybe an early mold was used–the poorly modeled features suggest it had much prior use!
Staffordshire Oatcake History
A more advanced variety of handmade pottery, hardfired and burnished, has proved to be as early as bc. The use of a red slip covering and molded ornament came a little later. Handmade pottery has been found at Ur, in Mesopotamia, below the clay termed the Flood deposit. Perhaps the most richly decorated pottery of the Near East, remarkable for its fine painting, comes from Susa Shushan in southwest Iran.
Newcastle-under-Lyme (/ ˌ nj uː k ɑː s əl-/ NEW-kahss-əl-, locally /-k æ s-/-kass-; or Underlem / ˈ ʌ n d ər l ə m /, cf. Burslem, Audlem), is a market town in Staffordshire, England, and is the principal settlement in the Borough of the census the town had a .
Hundreds of potters were busy producing decorative and functional wares for the exploding population. Many of these wares were mass-produced and marketed to the ordinary working family. High quality tableware and decorative items were made for the more aspiring and affluent middle and upper classes. Large country homes and elegant town houses occupied by the new industrialists, financiers and rural elite who wishes to impress bought fine examples of pottery from the classic potters of the time such as Spode, Davenport, Masons, Mayer, Wedgwood, Herculaneum, Don and countless other factories.
Underglaze blue and white transferware was very popular and much produced by numerous factories often illustrating idyllic rural scenes and romantic ruins in foreign lands. These pieces can form a stunning assemblage and are often used by interior designers to create a statement in a room.
Wedgwood Identification and Dating
Pottery in archaeology Introduction The following is a basic introduction to pottery in archaeology, focusing particularly on the ceramics of the medieval period. The bibliography at the end provides references to more detailed and comprehensive sources. The study of pottery is an important branch of archaeology. This is because pottery is: Occasionally whole vessels are found, particularly where they have been used as grave goods or cremation ‘urns’.
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Privacy Statement Important to Members: Not receiving printed bulletin or eNews? Has your contact information physical address, phone, email changed? Please Contact the Membership Chair. Members download newly updated qtr4 membership list non-commercial use only. In January, the Society for Historical Archaeology SHA held its annual conference in New Orleans, and with the endorsement and encouragement of the Board, the TCC actively and successfully participated in several facets of the event.
Updated Donor List Transferware Collectors Club is extremely grateful for the generous contributions this past year which continue to help to make its programs and resources possible. Loren steps down, Scott steps up. We welcome Scott Hanson as our new president. Watch for a Special eNews with much more information. The Spode Museum Trust has informed us that work on the new frontage is now complete and that the museum, art gallery, shop, and tearoom are open for business Wednesday – Sunday The excellent improvements can be seen in these before and after photos.
A good sized Dudson teapot in excellent condition. Dudson were a famous Staffordshire pottery that have given us a wonderful legacy of reasonably priced good quality Staffordshire antiques. This is one of the most famous of the legendary Staffordshire potteries. Only 1 set left 83 PO Miniature willow set made for a child in the Victorian days.
Early Wedgwood works may be unmarked, but the presence of the correct mark is an indication that the piece is genuine and should allow you to determine its true age.
A more advanced variety of handmade pottery, hardfired and burnished, has proved to be as early as bc. The use of a red slip covering and molded ornament came a little later. Handmade pottery has been found at Ur, in Mesopotamia, below the clay termed the Flood deposit. Perhaps the most richly decorated pottery of the Near East, remarkable for its fine painting, comes from Susa Shushan in southwest Iran. The motifs are partly geometric, partly stylized but easily recognizable representations of waterfowl and running dogs, usually in friezes.
They are generally executed in dark colours on a light ground. Vases, bowls, bowls on feet, and goblets have been found, all dating from about bc. By bc pottery was no longer decorated. Earthenware statuettes belong to this period, and a vessel in the Louvre, Paris with a long spout based on a copper prototype is the ancestor of many much later variations from this region in both pottery and metal. They provide the first instance of the use of tin glaze; although the date of its introduction cannot be certainly determined.
The presence of lead in the blue glazes derived from copper suggests that the lead may have been added deliberately as a flux, and that this glazing technique, like that of tin-glazing, subsequently was forgotten—to be recovered only at a much later date. In Egypt, pottery was made in great variety in the predynastic period up to c. The earliest forms of decoration were geometrical or stylized animal or scenic motifs painted in white slip on a red body.
There is comparatively little variation until the 26th dynasty c.
German Porcelain in Disguise German porcelain was of high quality and also cheaper than English china. So much so that in in the UK and in the US, laws were passed making it necessary to declare country of origin. The snag was, the threat of war was constantly bubbling and there was such emnity between the Germanic peoples and the English speaking peoples at that time, that the English speaking countries tended to want to avoid German porcelain if possible.
In this section you will find Flow Blue, Staffordshire figures, Old blue and white transferware, Lustreware-copper, pink, purple, gold, silver resist, Georgian/Victorian Jugs, Relief Moulded Jugs, Busts, Tableware, Victorian Vases.
Welcome to the Gotheborg. The field of Asian Ceramics collecting is a challenging one. Not the least due to the large number of terms of various origins, problem compounded by a variety of spellings and transcriptions. Many terms in particular regarding porcelain exported to the west are made up by collectors and dealers over the last century, and are not recognized or even understood in China.
When possible I have tried to address this by cross referencing both terms and explain where the understanding differ. Names, meanings and categories also change depending on new discoveries, which might not be as helpful as it might seem. Too myopic classifications might just complicate matters. Here I try to go back to the roots and explain why an older but somewhat incorrect name might still be more helpful than a modern but archaeologically correct name.
Many names and terms that are Chinese in origin have been transcribed in western characters. In old books this was often done by a system called Wade-Giles Peking, Ching-te-chen, Chien-lung , while all modern books today use a system called Pinjin Beijing, Jingdezhen, Qianlong. Naturally this causes some confusion. In this dictionary I have over the last decades tried to write and collect good explanations of many of these various terms that are used to describe antique Chinese and Japanese porcelain.
By and by I add to and revise the entries when I find simple and straightforward explanation, and illustrations of things.
Much lighter than its dark Georgian counterpart Willow it reflected the Victorian age. Staffordshire pottery had come of age and its products no longer needed to rely on copies of chinese styles which Willow undoubtedly was; and with the spread of the railways throughout the United Kingdom this new romantic pattern proved to be far more popular. With the Industrial age now dawned ordinary people gained access to what had been the preserve of the wealthy and what they wanted was a pattern that was clean light and above all affordable.
The body of most Asiatic Pheasants dinnerware was commonly earthenware and the sheer volume of demand led inevitably to a general loss of quality in both the potting and the printing. This was not universal and good examples were produced in the late C19th and early C20th but they rarely match the quality and fineness of the earlier pieces. Co-operation between pottery firms was not uncommon, patterns were known to be loaned and when large orders came in they were frequently sub-contracted to firms with spare capacity, even competitors to meet the demand.
Dating old pottery is difficult – especially one that has been in operation for over years such as Wedgwood.. Manufacturers were not overly concerned about sticking to ‘rules’ and would interchange marks – using different marks at the same time and using old batches later in the production runs.
The town has an extensive number of both primary and secondary schools in the state-funded sector. There is also a special school located in the town called Blackfriars Academy. Newcastle-under-Lyme School is an independent school established in the 17th century whose alumni includes T. Edenhurst Prep School, founded in , is situated in the residential area known as the Westlands The town has a further and tertiary education Newcastle-under-Lyme College established in the It is the only park within the ring road.
Grosvenor Gardens in the centre of one of the town’s roundabouts, hidden away below road level. Queen Elizabeth Garden is located outside the town centre and is to undergo refurbishment using National Lottery Heritage Fund money. Today the market is open six days a week, and there are over 80 stalls. Mondays, Wednesdays, Fridays and Saturdays see a general market, on Tuesdays there is an antiques market and Thursdays are for the sale of bric-a-brac. A cattle and livestock market was held on Mondays until the early s; the site of the cattle market is now a branch of Morrison’s supermarket.
The Guildhall The Guildhall[ edit ] The current Guildhall  was built in and has undergone a number of changes. Originally the ground floor was open and was used for markets, until the Market Hall was built in